functional fabulous home

functional fabulous home

functional fabulous home Zandra Rhodes, the style and textile designer dubbed the’ Princess of Punk’, invited IKEA to her creative studio in London. Join us on the trip of ours through a life’s worth of incredible screenprints, legendary costumes and outfits, in addition to a workshop about functional and beautiful homes.

When you walk down Bermondsey Street from London Bridge Station it’s not possible to avoid the striking pink and orange four story structure which shows up on the left. When the iconic fashion and textile designer Zandra Rhodes discovered the location in the 90s, the forgotten neighbourhood had yet to be revived into the hip region it’s currently. Back then the structure was only an empty factory and Zandra hired the Mexican architect Ricardo Legorreta to redesign it to the colourful spot it’s now. This’s exactly where she lives, works as well as where she opened up the Fashion and also Textile Museum in 2003.

At Democratic Design Days in June, IKEA announced the effort with Zandra Rhodes to enjoy the way her lively design and striking patterns will be created within an IKEA house context. These days it’s Zandra and December is inviting the ikea design staff to a two day workshop in the studio of her. They’ll be going through the suggestions and looking at real solutions for a compilation, but initially, she takes the number on a trip, floor by floor.

The museum on the bottom floor displays more than fifty dresses and costumes, and a lot and a lot of sketches from the 50 year lengthy career of her. A room Zandra wants to call “the pattern forest” is loaded with original silkscreen prints. She takes us on the quilted cream satin costume Freddy Mercury wore in the early 70s, and also informs us about the way Queen found the studio of her and she invited them to proceed through the racks and try on anything they fancied. A wedding top in pleated silk that Zandra was focusing on found Freddie’s eye, and the rest is history: Queen’s most legendary stage clothes. While telling the story, 2 small museum visitors discretely joined the number to listen. They kindly ask if they are able to have a selfie with Zandra, and she quickly happens between them for a picture. She’s employed by the interest at this point, and acknowledges is tough to disguise with bright red hair.

Above the museum is a long narrow space which Zandra converted into a print room. Harriet, print manager at Zandra Rhodes studios just completed some samples as well as the long table continues to be covered with wet paint.

“When I discovered the construction in 1995, it was the reality that it’d the lengthy area which sold it for me. I understood this might be the print space and whatever else created around it. This room is definitely the center of the business of ours because this’s exactly where we place the patterns together,” says Zandra.

The print room can be where she stores several of the countless silkscreens, all named and lined up in alphabetical order. A huge binder, fittingly called “The Print Bible”, will help them record a half century’s worth of patterns. The earlier people are hand drawn, but as they have more contemporary they start to be electronic printouts.

Hayley Cowling, designer at Zandra Rhodes studio, displays the team a major mood board bursting with lively patterns which spread out across the wall. It’s an explosion of strategies for brand new IKEA collaboration.

“We started with Zandra’s flowers, played around with them and also made them larger. We constantly force things as much as we are able to then we say’ OK, we need to get it back a little’,” states Hayley.

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